Across formats, screens, streetsAcross formats,screens, streets

During my time at Bosko.agency, Netflix was the client I worked with most extensively. I designed across a diverse range of projects, including partnerships, campaigns across digital, OOH and DOOH, custom print, retail, activations and event design, presentation decks, and paid and organic social content.

Global titles: Bridgerton, Squid Game and Griselda.

Polish titles: 1670, Gang Zielonej Rękawiczki 2, Wzgórze psów, Heweliusz, Napad, Nowe Rozdanie and Rojst.

Working from the campaign guidelines, I helped create and adapt assets for Polish titles, including image retouching, colour palette selection and overall visual development.

Together with the team, we localised the campaign not only for the Polish market, but also for Czechia and Romania. The assets were adapted across a wide range of formats and placements, including non-⁠standard OOH formats and citylights.

As part of the Next on Netflix campaign, I designed two spreads for Tele Tydzień, one of Poland’s most popular TV magazines. The challenge was to fit a large amount of information about upcoming shows, including imagery and copy, into a limited editorial space while keeping the layout engaging and easy to navigate.

I was responsible for the design and layout from the initial concept through to preparing the final artwork for print.

I worked on the extensive campaign for the second season of Green Glove Gang, a Polish comedy series. Working across a wide range of formats, I was involved in creating and adapting campaign assets, including a custom billboard, standard large-⁠format OOH, citylights and key visual reformats for various digital display sizes.

I also contributed to the graphic preparation for campaign events, adapting the visual identity across different physical and event-⁠related materials.

I designed a series of murals for Netflix’s adaptation of Jakub Żulczyk’s Wzgórze psów (Hound’s Hill), one of my favourite books by the author.